Saturday, October 28, 2023

ANDREW HEATH - Scapa Flow — Disco Gecko Recordings (Review)

 


Three major references run through  Andrew Heath unique musical universe: the sea, the map, the landscape. These references fit naturally into one another. There are nautical charts, just as there are maritime landscapes.
 
But in the end, the common thread, the guiding and leading principle, is space, expanse, perspective. A constant interplay between surface and depth.
 
Each of the sixteen compositions on "Scapa Flow" opens a window onto a fragment of the world, a space-time where vanishing lines are traced, where thoughts stretch out in dreamy contemplation.
 
Andrew Heath's music is a praise of contemplative slowness, of a presence in the world hic et nunc, where we commune with a landscape, fly over a map, trace a wake on a distant ocean.
 
Ethereal layers punctuated by the melancholy of sparse piano notes, crossed by the shimmer of an electric guitar caressed by a bow that sublimates its harmonics, while here and there, concrete oscillations, creaks and murmurs, discreet "objets sonores" sketch out possible places, the deck of a sailboat, ropes and sails beaten by the winds, floors crunching under invisible footsteps.
 
Slowness and depth, long comets of reverberating notes: "Scapa Flow" reinvents an intimate and subtle ambient music where everything is but soulful shifts as time flies away...
 
 

"Orpheus" featured on Hearts of Space PGM "Darktime Atmospheres" (Oct. 27-nov. 3)

 


The Dark Ambient genre evolved out of the Industrial, Experimental, and Noise genres of the 1970s. The arrival of affordable synthesizers, samplers, and effects units in the 1980’s led to more complex styles like Ritual Industrial, Black and Doom Metal, Dark Wave, Gothic, and who can forget the reverberating chains and tortured screams of Dungeon Synth?

Our yearly immersion in the morbid emotions of fear, death, and horror at Halloween, provides an insight into the more aesthetic and environmental qualities of Dark Ambient. Whereas the horror genres aim to shock and terrify, Dark Ambient seeks merely to disturb, evoke feelings of isolation, melancholy, and confinement, and reflect an atmosphere of gloom and darkness

I'm DR. DARKO, and on this transmission of HEARTS of SPACE, a subterranean underworld journey for Halloween, on a program called DARKTIME ATMOSPHERES. Music is by BRANNAN LANE, CHRISTIAN WITTMAN, SUN'S MUSE, SHIBALBA, REMANENCE, YEN POX, INSECTARIUM, and TOR LUNDVALL.

 

 Link

 Orpheus is on BANDCAMP

Wednesday, October 11, 2023

The music I am currently listening to...

 Brian Eno

Andrew Heath

Hammock

Schubert

Paul Bley

Ólafur Arnalds

Chopin

Nick Cave and Warren Ellis

Harold Budd

(my own music too...)

 

Tuesday, October 10, 2023

New Album: EVANESCENCE

 Taking the time to listen to...
... Music...

A slow
Ambient
Deep
Tranquil
Minimal
Airy
Meditative
Music

A music…

…Enchanting as a perfume
As floating as clouds in the sky
Fascinating like reflections on water

Music of the moment
Music that slowly fades away
Eyes closed
In the inner kaleidoscope of memories, feelings, ideas and sensations...

Music for sound gourmets
Who take the time
Time to listen
To listen to evanescent melodies….
  

 

Bandcamp 

Apple Music

 

Tuesday, October 3, 2023

Review of "Orpheus" by Andy Garibaldi (Inkeys). "An absolute gem!'

 


"A near 40 minute track in 5 parts, and from the opening, you’d be forgiven for thinking that you were listening to some lost outtakes from the Tangerine Dream “Oedipus Tyrannus” project, specifically the “Overture” track, as delicate, but deep, calmly atmospheric, slowly shifting, subtly changing waves of cosmic synths drift effortlessly into view, and it’s he perfect soundtrack for watching galaxies drift by, or exploring the “out there”, and at short of 12 minutes, arguably, just the right length.
 
Part 2 at just over 9 minutes, does actually continue from where the previous one left off, and along the way, this time, you’ll hear distant whispers, occasional footsteps, the clanking of long forgotten electronic machinery, in fact, the perfect soundtrack for any one of the legendary “2001" movies, when it comes to the slow motion viewing of the unexpected. 
 
Whatever your headspace, the music is absolutely riveting, and as fine an exaple of constantly changing amorphous cosmic synth music, as you’ll encounter.
 
From there on, it’s a simply beautiful ride through the universe as the mood is maintained but the landscape changes and it’s not until the final track where we get hints of “Blade Runner”-era Vangelis, creeping in to add to its unfolding space music charms.
 
Although I hear a ton of space music, and often it’s difficult to separate the planets from the stars, this is one that I could listen to for as long as we all shall live – an absolute gem!!
"

Andy Gee, INKEYS.