The intersection of classical form and ambient environments
The
evolution of western classical art music is a story of evolving
cultures, developing instruments, and continuous musical innovation.
Over the course of some twelve centuries, acoustic strings, winds,
horns, keyboards, and percussion instruments evolved into the symphony
orchestra, as well as smaller groups: string orchestras, horn and wind
ensembles, and intimate string quartets, trios, and duos. Each group was
designed for a specific kind of music and social occasion.
The arrival of electronic instruments in the 20th century was a disruptive innovation that stimulated a different response than the slow evolution of acoustic instruments. Electronics promised the composer freedom from acoustic limitations, the ability to design completely new tones and new instruments, create spatial sound images and virtual environments. In time, these new capabilities led to new genres like Electronic Space and Ambient, with expansive cosmic spaces, infinite floating worlds, and subtle textures.
On this transmission of Hearts of Space, we explore the intersection of classical form and ambient electronics, on program called ATMOSPHERIC CLASSICAL.
The arrival of electronic instruments in the 20th century was a disruptive innovation that stimulated a different response than the slow evolution of acoustic instruments. Electronics promised the composer freedom from acoustic limitations, the ability to design completely new tones and new instruments, create spatial sound images and virtual environments. In time, these new capabilities led to new genres like Electronic Space and Ambient, with expansive cosmic spaces, infinite floating worlds, and subtle textures.
On this transmission of Hearts of Space, we explore the intersection of classical form and ambient electronics, on program called ATMOSPHERIC CLASSICAL.
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PGM 1364 : "ATMOSPHERIC CLASSICAL"
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PGM NOTE : the intersection of classical form and ambient environments
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FEED DATE : 2-02-24
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MAX RICHTER
"Zilpha" < 0:00->4:32 >
: TABOO [soundtrack]; Deutsche Grammophon 479 8138; 2017
MAX RICHTER
"Our Reflection" < 4:32->10:07 >
: MY BRILLIANT FRIEND [soundtrack]; Deutsche Grammophon 483 6994; 2019
A WINGED VICTORY FOR THE SULLEN
"Atomos II" < 10:07->14:29 >
: ATOMOS; Kranky KRANK190; 2014
: Info: www.kranky.net; www.awvfts.com
HAMMOCK
"In the Shattering of Things" < 14:29->20:21 >
: SILENCIA; Hammock Music HMK-026CD; 2019
: Info: www.hammockmusic.com
MAX RICHTER
"Follower" < 20:21->25:28 >
: VOICES 2; Decca B0033480-02; 2021
: Info: www.decca.com; www.maxrichtermusic.com
WILLIAM ST. HUGH
"Hull" < 25:28->29:01 >
"Night of Nights" ('Turning of the Stars' EP bonus) < 29:01->31:35 >
"Moonchaser" < 31:35->35:32 >
: HIGH UPON THE SERPENT MOUND; self-published [no catalog #]; 2023
: Info: www.williamsthugh.bandcamp.com
CHRISTIAN WITTMAN
"Time Stretching" (edited) < 35:32->39:20 >
"No Gravity (Extended Version)" (part) < 39:20->51:46 >
: MUSIC FOR SLOW MOTION DANCE; self-published [no catalog #]; 2024
JÓHANN JÓHANNSSON and JONAS COLSTRUP
"The Shadow" (part) < 51:46->54:28 >
: THE SHADOW PLAY [soundtrack];
Soundtrack Magazine SM 3021 1003; China 2022
: Info: http://store. soundtrackmagazine.com;
BOB HOLROYD
"Hiding in Plain Sight" (part) < 54:28->58:59 >
: FOOTBALL CHANTS AND NURSERY RHYMES;
Holroyd Music Limited BH007; England 2023
: Info: www.bobholroyd.com
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PRODUCED BY : STEVE DAVIS and STEPHEN HILL
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