By popular request, here's why my music production studio is called “Nina Studio”...
I have a very zen artistic assistant with an incredible ear for music.
She's a bit like the muse of my studio. As long as she stays on my keyboard, I know that everything is fine and that she likes what I'm composing.
If she stretches and goes to sit somewhere else, I know there's a problem and that I can do better...
In fact, Nina plays a very important role in my music... She sets the mood, the feeling, and the tempo of my recording sessions...
And when she purrs, it's a signal that I need to add sub-bass to the track I'm working on...
I can tell from the movements of her ears what catches her attention, what leaves her indifferent, what she doesn't like.
Every time I sit down at the keyboard, open my virtual instruments, or launch my DAW, Nina is there, front and center...
She is the first listener of my mixes, and she lets me know if I need to do a second mix or if I should just give up on the track I'm working on...
I think that one of these days, Nina will sit down at the keyboard and record her own solo album, ambient purring embellished here and there with a little harmonic meow...
The real artist in Christian Wittman's musical productions is not me, it's Nina.
I predict a great career for her as a producer, not only in ambient and contemporary music, but also in the meow meow scene.
If you want to evaluate her role as producer, sound engineer, artistic director, creative assistant, press officer (and so on), you will find a retrospective of her career on my Bandcamp site and, of course, on all streaming, download, cerebral plugin, and multivitamin psycho-audio pill platforms available on the market, legally (or not).
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